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Velvet is a type of tufted fabric in which the cut threads are very evenly distributed, with a short dense pile, giving it its distinct feel. Velvet can be made from any fiber. It is woven on a special loom that weaves two pieces of velvet at the same time. The two pieces are then cut apart and the two lengths of fabric are wound on separate take-up rolls. Velvet's knitted counterpart is velour. Velvet was very expensive and was considered to be among the luxury goods together with silk. Corduroy and velveteen were considered the "poor man's velvet" when they were first produced. HistoryIn all probability the art of velvet-weaving originated in the Far East. Earliest references occur about the beginning of the 14th century. The peculiar properties of velvet, the splendid yet softened depth of dye colour it exhibited, made it obviously fit for official robes and sumptuous hangings. The most magnificent textiles of medieval times were Italian velvets. These were ornamentated by such techniques as varying the color of the pile, by producing pile of different lengths (pile upon pile, or double pile), and by brocading with plain silk, with uncut pile or with a ground of gold tissue, etc. The earliest sources of European artistic velvets were Lucca, Genoa, Florence and Venice, and Genoa continues to send out rich velvet textures. Somewhat later the art was taken up by Flemish weavers, and in the 16th century Bruges attained a reputation for velvets not inferior to that of the great Italian cities. Black Velvet PaintingsA brief history of black velvet paintings is presented by Pamela Liflander in Black Velvet Artist, a booklet published by Running Press, Philadelphia, 2003, and included in an identically-titled art kit. She notes that "The birthplace of black velvet paintings can be traced to ancient Kashmir, which is considered to be the fabric's original homeland. These paintings were religious in nature, portraying the iconic artwork of the Caucasus region by Russian Orthodox priests." She further wrote that Marco Polo and others introduced the West to this art form, and that some of these early works still hang in the Vatican. Liflander also details the life of Edgar Leeteg (1904-1953), "the father of American black velvet kitsch," whose "raucous and bawdy" life was previously captured by James Michener in Rascals in Paradise (1957). External linksSome images of items made of, or covered with, velvet:
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